Video Editing Software Cs6

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AdoramaTV presents DSLR | Video Tips with Richard Harrington. Join Rich in this episode as he uses Adobe Photoshop CS6 for quick video editing.

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Rich Harrington:

This week, you’ll learn the essentials of editing video inside Adobe Photoshop CS6.

Voice Over:

AdoramaTV presents “DSLR Video Skills,” where you’ll learn all about photography and videography. Here’s your host, Rich Harrington.

Rich Harrington:

Hi! My name’s Rich Harrington, and welcome to this episode of DSLR Video Skills. Today, we’re going to take a look at how we can use Adobe Photoshop to do some quick video editing.

Now a lot of folks are saying, “why is there video editing in Adobe Photoshop?” “Doesn’t Adobe already have video programs?” Absolutely! Things like Adobe Premiere Pro and After Effects are super versatile, and they have some consumer products like Premiere Elements that also offer easy-to-use tool sets.

So, why edit videos in Photoshop? Well, quite simply because you want to. A lot of photographers and a lot of multimedia folks feel very comfortable in Photoshop, and the fact now is that Photoshop CS6 offers the ability to work with video in the standard edition of Photoshop.

Simple ip camera software. You’ve got a nice, clear, and easy-to-use video editing tool that’s great for short projects. So, I what like to do now is to take a quick look at how it works. And then on some future episodes, we’ll explore more advanced workflows. This is just to get you started and show you how easy it is to use.

Inside of Photoshop, you’ll just choose “File New” and make a new document that matches the type of image you’re going to be working with. I know I’m working with the 1920×1080 footage.

Now, the next thing I recommend is that you match the frame rate.

I’ll create a new video timeline, and I know that I shot at 23.976 fps, so I’ll go over and change my option here just by saying “Set Timeline Frame Rate,” and with the pop-up menu, I can switch that over and click OK. That looks pretty good, and I just need to add my files. So, I’ll click the plus (+) button here, and I can navigate to the videos I want to use.

Now, I’ve already put them into a single folder, and I’m just going to grab those and select all the video files, unchoose the raw photos because I don’t need those, and click “Open” so that it will add them to my timeline. I don’t need this first file here, so I’m just going to select it and press “Delete,” and you’ll see that all those files are in order.

Here’s the interesting thing that you need to realize—when you look at the timeline here, notice that they went in the sequential order that I shot them. However, in the Layers panel, they go in reverse order. So when you look at this, the bottommost layer is the first file. So don’t let that mess with you.

The essence of video editing is to simply take away what’s not good. Now, there are lots more to it as you get complex, but if you’re just sequencing a quick story, you can often put the files you shot sequentially in order. Drop them into the timeline and just trim away the fat. That’s what we’re going to do right now.

I’ve got the clip here, and I’m just going to select it. And as I start to drag the beginning and end, I get a little pop-up movie to sort of show me what’s happening, and this allows me to speed up the action a bit. So, I’m going to see the safety harness being placed on, and I adjust the duration. Now, it’s still pretty long—22 seconds long. I’m going to change that. Notice that if I click on it, I can actually assign a new duration and speed up the clip. I take that down to about 8 seconds here, and she’s just sped around putting that on him. That’s good.

Now, I’ve got the next shot, and let’s try to line this up. He’s looking down there, so that’s pretty good. Let’s trim that back, so we get to the point where he’s looking down, and that avoids what we call a jump cut. So as we go from one shot to the next, the action that kind of matches his face is about halfway up. Right about there… looks good!

So, I’ll just adjust that, trim it back, and notice that everything automatically ripples down and stays close together. So he wanders off a little bit. He’s getting ready to climb, and I don’t think I want too much of that there, so I’m just going to get as he starts to walk off the frame, and I’ll click the scissors button to cut it. Let’s drag through if there’s anything else here we want.

She’s getting dressed up, so that’s good. So we’ll just put another cut right there. Delete away the shot, and let’s just drag through and see what we got. She’s getting the safety harness on it. Looks pretty good! Let’s keep him out of the frame. Another little cut and as long as the clip is selected, it works. Delete that and I could speed these up a bit.

There we go. And we’ll take a look. Looks good!

I’m looking at this shot, and I don’t really need it. She’s just getting tied in, so I’ll delete away. We’re just starting to tell the story here. They’re ready to go and walking over, and we get to the point where they’re about to climb.

I’m just going to get rid of the shot and again, what I like is that the timeline automatically ripples down. This timeline is super easy. Some people call this type of timeline a “magnetic timeline.” It basically means that the gaps are automatically removed. So, if you delete something, everything’s just going to slide on down into place.

This is not the most complex timeline to use, and it’s really good if making videos is a hobby or just something you have to occasionally do. All right. I’ve got this here and let’s just find a good point where they’re going to start to climb the rocks. They’re getting their instructions, and we want to include that to show that they’re good listeners. Got that clip selected, delete away a little bit, looking pretty good. She points to the rock. They are about set, and I’m just going to shorten that.

Notice that you can easily navigate through the timeline, and as you drag the handles here, it gets pretty good. I want to see her start to climb, so I’m gonna take a little bit of that middle piece there and just delete it away. There we go.

Re position the camera, and I think that’s pretty good. We’ll just pick it up there. Now, all of this is super easy as you’re working, and what you’ll start to notice is that Photoshop has gotten very responsive on the video front. I can easily just select clips and trim away what I don’t want, and that handy pop-up viewer there lets you see the action.

So, we can get just as she starts to climb. I like that. He’s climbing—let’s cut to the other angle. We go back to her, let’s cut, and it’s pretty straightforward. We’re about halfway through our edit right now.

Now, what I want to introduce is the fact that you also can use some transitions here. So, if you want to jump forward in time, but it’s going to be a bit abrupt in between two shots, you can always put a little transition. Just click here, grab the one you want, and drag it down.

When you do that, it will automatically create a transition between the two shots. And if you decide to make a refinement here such as trimming, you’ll notice that it just simply readjusts, and you can just drag it back in. Nice and easy. There we go!

Let’s zoom out a bit and finish this up. They’re getting to the top, she comes down, and I just want to show him making it—and I think we’re done. There we go! Pretty good shot. Drag it down a bit, and we’ll call that the end.

If you need to, you can add an audio file to this as well. So, I’ll just put the playhead up at the beginning, click the plus (+) button on the audio track, and I can navigate to an audio file and drop that in.

Now, in this case, it’s longer than I need, so you can easily adjust its duration just like you did for the video clip. Grab the end and pull it into match. And if you need to, you can do some simple fades.

We’ll put that one on the video there. That’s pretty good!

Now, there are lots of things you can do to keep refining this. You can add a few transitions and adjust the sound, so you have the right audio mix, but this, all in all, is pretty easy to do.

Plus, if necessary, you can use the same type of Photoshop adjustments you’re already used to making. So, if you want to go ahead and brighten up a shot a little bit, just select it, come on over, and grab an adjustment like a curves adjustment, and you can do a nice adjustment to the video just like you’re used to.

Remember, click right on the tool with the “On Image” tool, and you can make easy adjustments to get that as you want. Want to adjust the vibrance? Just click and you’ve got a new adjustment layer, and you can be adjusting color. All those adjustments are super easy to use, and they just appear right in line.

When you’re happy with that video, take advantage of things like titles or transitions, get them, so it’s completely ready to go. So there’s my video: it’s happy. I’ve got my shots. File > Export > Render Video, and I would choose the Adobe Media Encoder and h.264. And then stick with one of the friendly presets for things like Vimeo, YouTube, or HD if you want to put it on a disk. And you’ve got some great movies that are ready to share.

Now, there’s a lot more to this Photoshop and video workflow, and I continue to explore this. You’re welcome to look it up online. We’ve got some great tutorials here that are in the works that we’ll be putting out eventually that cover more advanced Photoshop stuff. But I just want you guys to get your feet wet and jump in and try this.

So, grab your personal camera, shoot some fun footage of the family, put together a tiny little project for something you want to share, and just use the new Photoshop video tools to get that project out there. The goal here is to get the video off your hard drive and out there, so others can see it.

Thanks again for joining us this week. My name is Rich Harrington. I invite you to head on over to the Adorama Learning Center, where there are tons of articles you might want to check out. Plus, if you want to get an idea on how to check out Photoshop or some other equipment that we used in the production of this video, just take a look at some of the links below. Thanks for joining us!

Voice Over:

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Adobe® Premiere® Pro CS6 software combines incredible performance with a sleek, revamped user interface and a host of fantastic new creative features, including Warp Stabilizer for stabilizing footage, dynamic timeline trimming, expanded multicam editing, adjustment layers, and more. Ready to switch to the ultimate toolset for video pros?

Work natively with the latest mobile, DSLR, HD, and RAW formats; edit, trim, and adjust effects in real time; stabilize shaky footage; and enjoy a sleek, revamped user interface and expanded multicam support. Over 50 enhancements make switching to Adobe® Premiere® Pro CS6 software easy.

Streamlined, highly intuitive user interface

See more of your video and less clutter thanks to a highly intuitive, customizable interface. New monitor panels include a customizable button bar; the new Project panel focuses squarely on assets and allows clips to be skimmed, scrubbed, and marked up for editing. A new audio track design, improved meters, and a revamped Mixer panel make working with sound easier than ever.

Enhanced Mercury Playback Engine

Work dramatically faster thanks to sweeping performance, stability enhancements, and support for NVIDIA Maximus dual-GPU configurations and certain MacBook Pro OpenCL-based AMD GPUs.† Adobe Mercury Transmit enhances integration with third-party I/O devices.

Fluid, high-performance editing workflow

Take advantage of the most requested editing enhancements, including over 50 new features to help editors switching NLEs move more comfortably to Adobe Premiere Pro.

Dynamic timeline trimming

Finesse your editing with precision using all-new advanced trimming tools. Trim clips your way — directly in the timeline via keyboard entry or dynamically in the Program Monitor using JKL shortcuts.

Warp Stabilizer effect

Easily stabilize a bumpy camera move or lock a shot automatically with the same powerful technology as in Adobe After Effects® software. The new GPU-accelerated Warp Stabilizer removes jitter and rolling shutter artifacts and other motion-related irregularities.

Expanded multicam editing

Quickly and easily edit multicam footage from as many cameras as you have on the shoot. Sync via timecode, switch between tracks in real time, and adjust color across multiple shots.

More intuitive Three-Way Color Corrector

Better manage the color in your projects with the more intuitive Three-Way Color Corrector for precise primary and secondary color correction. Instantly improve video image quality with Adobe Photoshop® style auto-correct functions.

New adjustment layers

Apply effects across multiple clips. Now you can create adjustment layers, similar to those in Photoshop and After Effects, to apply effects to clips on tracks below them. Easily create masks to adjust a selected area of a shot.

Improved, customizable monitor panels

Work the way you want and edit more fluidly. A less cluttered, customizable interface lets you focus on your media by letting you choose which buttons to show or hide in the monitor panels.

Even faster Project panel workflows

View, sort, and arrange media easier than ever with the redesigned Project panel. Edit faster with the ability to scrub and skim clips, set in and out points, and resize clip thumbnails.

Native DSLR camera support

Work natively with the footage shot with the latest video cameras, including ARRI Alexa, Canon Cinema EOS C300, RED EPIC®, and RED Scarlet-X cameras. Native support lets you start editing immediately, without transcoding or rewrapping the footage.

Enhanced, flexible audio tracks

Freely combine and pan mono and stereo clips. For more advanced audio workflows, new Multichannel master and Adaptive track types enable total audio routing flexibility and easy export to multichannel file types.

Adobe Prelude CS6 integration

Use Adobe Prelude to efficiently log footage, add comments and markers, and create rough cuts that can be brought into Adobe Premiere Pro. Comments and markers are associated with the media, making it easy to organize.

Adobe SpeedGrade CS6 integration

Easily export your Adobe Premiere Pro sequences into SpeedGrade CS6 for a complete finishing solution. Easily handle grading tasks like matching shots and creating consistent nuanced color to visually enhance your projects.

Uninterrupted playback

Edit, apply filters, and adjust their parameters, all during playback. Dynamically preview video by looping playback and adjusting parameters on the fly, thanks to the Mercury Playback Engine. (May require a supported GPU.)

Rolling Shutter Repair effect

Easily repair media with rolling shutter artifacts such as wobble and skew. Based on technology in the Warp Stabilizer, this powerful effect can be applied without stabilization and offers enhanced controls.

New Preset Browser

Access commonly used settings immediately using the new Preset Browser in Adobe Media Encoder CS6. Organize presets by category, set favorites, and customize your most frequently used encoding presets.

Performance and stability improvements Bijoy bayanno 2012 windows 10.

Encode video faster when outputting a single source to multiple outputs with Adobe Media Encoder CS6. Get a significant performance boost when using watch folders on a network.

New RED EPIC and RED Scarlet-X support

Take advantage of new support for RED EPIC 5K and RED Scarlet-X footage that lets you import it directly into Adobe Media Encoder CS6 for transcoding to HD and SD formats. https://xqzcw.over-blog.com/2020/12/jf506e-atsg-manual.html. https://hereuload450.weebly.com/microsoft-office-macbook-air-gratis.html.

More popular device and format presets

Save time and encode content more easily by using Adobe Media Encoder presets that help ensure your video looks great on widely used output formats and devices, including mobile devices and HDTV.

New 64-bit Adobe Encore CS6

Speed up your authoring workflow and get rock-solid performance and stability with Adobe Encore® CS6, now natively 64 bit. Open and save projects faster, and get dramatic performance working on demanding projects.

Faster MPEG import

Bring MPEG assets into Encore CS6 even faster as multiple import processes happen simultaneously in the background.

Operating system requirement:

Adobe Premiere Pro CS6 requires a 64-bit operating system.

Trial limitations:

Adobe Encore® CS6 is not available as a trial. Encore CS6 will be installed as part of the trial for Adobe Premiere Pro CS6, Creative Suite® 6 Production Premium, and Creative Suite 6 Master Collection but will not be available for use until you purchase.